![]() ![]() So, based on those five things, Sirius Black looks like a pretty convincing bad guy, right? Turns out, Sirius Black isn’t out to get Harry at all. Sirius Black is Harry Potter’s godfather.His escape coincides with the Weasley’s return home from Egypt. Sirius Black has never tried to escape from Azkaban prison until now.It is believed that Sirius wants to kill Harry in order to finish what Voldemort started. Lately, while in Azkaban, Sirius has been heard murmuring, “He’s at Hogwarts,” in his sleep.The murder was said to be so violent and messy that all authorities could find of Pettigrew was a bloodstained robe and a few fragments of a finger. He was sentenced to life in Azkaban for the murder of 12 Muggles and a wizard named Peter Pettigrew. Sirius Black was in Godric’s Hollow on the night of Harry’s parent’s murder.Most people believe that it was Sirius Black who betrayed James and Lily to Voldemort. Someone betrayed their location to Voldemort which directly led to Jame’s and Lily’s murder. Twelve years ago, there was a Fidelus Charm on the Potter’s house to keep their location a secret.(Besides Voldemort, of course.) Here’s what readers learn about Sirius Black: In Harry Potter and the Prisoner of Azkaban, both the reader and the characters are led to believe that Sirius Black is the story’s main villain. In a thriller or horror novel, red herrings are used to make the reader incorrectly guess what is going to happen.Įxamples of Red Herrings in Harry Potter & the Prisoner of Azkaban For example, in a true mystery, red herrings are used to make the reader incorrectly guess what has already happened. It’s also worth noting that different genres change how the reader views and responds to Red Herrings. Red Herrings help you to distract or mislead the reader (and your characters) from the truth of what’s actually happening. If your story has any kind of plot twist or surprise ending, you can use Red Herrings. Some will be used to deceive the reader about what’s coming-and in these cases, the “false clues” are called Red Herrings. But not all of these clues will lead to the truth. Readers pick up on these hints and clues to try and figure out what’s going to happen next (or at the end of the story). The term “foreshadowing” refers to all the different ways that an author can give readers hints or clues about what’s coming. Red Herrings are a type of foreshadowing. ![]() A clue placed by the antagonist or a secondary character that sends investigators down the wrong path.An event that seems to be significant to the story or protagonist.An object that seems relevant or important.A character who seems evil or suspicious.These “false clues” are called Red Herrings and that’s what I’ll be covering in today’s post.Ī Red Herring is a piece of information that misleads or distracts the reader (and sometimes the character) from an important truth or leads them to mistakenly expect one outcome over another. Put simply, you’ll need to use a mixture of “true clues” (to play fair) and “false clues” (to send readers down the wrong path). So, how do you actually surprise the reader if all these real clues are hanging out in plain sight? How do you balance playing fair and “dangling the carrot” in front of your reader? That means you’ll need to plant clues that point to the truth in plain sight so that everything makes sense when it comes time for the big reveal. No matter what genre you’re writing in, there are probably some things you’ll want to keep hidden from your readers until the time is right to surprise them.īut in order to pull off a well-done surprise, you need to be sure to play fair with the reader from the start. ![]() Red Herrings: How to Mislead and Surprise Readersĭownload the Red Herrings Workbook and Checklist
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